L'articolo ROMA proviene da Shank Instruments Milano: Chitarre, Bassi, Batterie.

This entirely hand built instrument is substantially inspired by the lines of the body and the construction specifications of the “Tangier” model which you will find illustrated on the pages of this site both in the acoustic version with metal strings and in the version with nylon strings. The “100’s” model found inspiration in the desire and will to create an instrument with the same design but with a larger volume body, for greater power in terms of volume and for an improved depth of sound spectrum and projection, obtained from a perimeter with measurements increased with the same height of the sides. The soundport adds to the novelties of this model. The soundboard is made of hand carved solid spruce, the back and sides are made of mahogany. This model is also equipped with a piezo system under the bone bridge saddle.

• Soundboard: solid quarter sawn spruce, handcarved
• Back: mahogany, handcarved
• Sides: mahogany
• Size: 15″ low bout
• Side height: 2,7″
• Neck: mahogany, C shape. Thickness at 1st fret: 0,88″
• Fretboard: ebony, 24 frets medium jumbo
• Radius: 16″
• Bracing: parallel
• Diapason: 25,5″
• Nut: 1,8″ – Bone
• Pickup: piezo – MiSi Acoustic Trio
• Tuners: Grover V97-18
• Bridge: ebony
• Finish: acrylic satin
• Weight: 5,5 lbs

L'articolo 100’s proviene da Shank Instruments Milano: Chitarre, Bassi, Batterie.

“Never has the name of a guitar been so apt. It is often my customers who come up with a name to give the instrument they ask me to make for them. They often already have a name in mind well before I start building it. You can see it in their faces as if they wanted to tell you right away, as if they wanted to imagine the feeling of holding it in their hands. That’s what happened this time too…  “M”ahogany & “M”aple, for my friend from Florida”… Let’s Play

Particularity of this instrument is the presence of a light spruce bracing on the back as well. It was made with the intention of adding structural tension, with the same principle used for the soundboard, also to that part of the instrument so that it would restore greater resonance.

All the archtop models presented on these pages are entirely handmade by luthier Emanuele D’Alò, owner of the Shank Instruments Milano brand. The instruments are built according to the dictates of the Benedetto method and both soundboards and backs are handcarved from solid wood.

The guitar is new and offered at a discounted promotional price

• Soundboard: mahogany solid wood, handcarved
• Back: mahogany solid wood, handcarved
• Sides: flamed maple
• Size: 17″
• Height sides: 2,3″
• Neck: spanish cedar (cedrela), C shape. Height 1st fret  0,8″ (22mm)
• Fretboard: ebony, 20 frets medium jumbo
• Radius: 12″
• Bracing soundboard: parallel
• Bracing back: X
• Diapason: 24,75″ (Gibson)
• Nut: 1,7″ – Bone
• Pickup: custom handwound humbucker
• Bridge: ebony
• Finish: poliurethane
• Weight: 7.0 lbs (3,2 kg)

The owner demo

L'articolo M&M’s proviene da Shank Instruments Milano: Chitarre, Bassi, Batterie.

“Taking a train… Jochen, the guitar owner, could not bear the idea of his instrument traveling in some random train container under the summer sun. Even I, at the very moment I was painting it and before I was even asked if it could be picked up directly at my workshop, was ready to propose my own trip for delivery. We were both already on a train before the guitar was even ready. Milan and Dusseldorf are close and the trains travel fast. Probably… As fast as the thoughts and desires to come up with the best excuses to travel…””

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A variant of the “Tangier” model, of identical shape and piezo equipment but with a different interpretation of the aesthetic factor focused, in this case, no longer on alternating wood figures, but rather on the charm of natural spruce soundboard. Interesting, in my opinion, was the choice of yew, a customer request, again by hand carving from solid wood.

The challenge was to adequately size the body, especially in terms of thickness, to make the widest possible spectrum and depth of tone of the instrument given the size and overall volume definitely smaller than a traditional acoustic guitar. It must be said that the instrument was designed essentially for use in an amplified context via piezo and in this perspective has been developed from the beginning.

For the rest, the project refers to the traditional manufacturing technique of an archtop instrument. Soundboard hand carved by hand from solid figured spruce wood in this case, yew wood back and sides.

The neck size was meant to provide the musician with a support that would allow him to range rather easily between the different genres that can be expressed through an acoustic instrument, without sacrificing or affecting the overall feeling of a traditional neck with “classical” measures, although with different measures in terms of width at nut.

The goal, which I believe has been achieved, is to propose an instrument with a strong classical setting on a constructive and conceptual basis typical of archtop guitars with a look, that I hope will be appreciated, at innovative design.

All archtop models presented on these pages are entirely handmade by luthier Emanuele D’Alò, owner of the Shank Instruments brand. The instruments are built according to the dictates of the Robert Benedetto method, and both soundboards and backs are hand-cut from solid boards.

Project specs

• Soundboard: spruce quarter sawn, handcarved
• Back: yew, handcarved
• Sides: yew
• Size: 13″
• Height: 2,7″
• Neck: mahogany, C shape. Thickness 1st fret 22mm
• Fretboard: ebony, 24 medium jumbo frets
• Radius: 16″
• Bracing: parallel
• Diapason: 25,5″
• Nut: 1,9″ – Bone
• Pickup: piezo – MiSi Acoustic Trio
• Ponte: ebano
• Finish: polyhuretane
• Weight: 5,5 lbs

L'articolo HABIBI proviene da Shank Instruments Milano: Chitarre, Bassi, Batterie.

I’ve had this project in my mind for a long time, probably since my father, a passionate collector of contemporary artworks, bought a sculpture by Fernandez Arman and hung it in the living room many years ago. It was a violin, dissected vertically into thin strips and then recomposed, fan-shaped, on a base of liquid concrete. I probably suffered, much more than I imagined, the fascination of that work, of that conceptual expression. Seduced to the point of having created, in a completely experimental and adventurous way, this peculiar instrument, maybe unlikely in its conception, but absolutely tangible now that I have brought the crucial step from idea to instrument to a conclusion. I used flamed maple for the soundboard, back and sides, khaya mahogany for the neck and ebony for the 24″ 3/4 scale fingerboard. The satellite chambers, also in maple, communicate with the central body, to which they are fixed with spacers, through circular openings that allow the free passage of air inside the complex of the “body”, making the timbre and sound output multiple, so to speak. An excellent MiSi piezo does the rest. Let’s Play

Here a press release from Fingerpicking.net: https://www.fingerpicking.net/shank-instruments-bloom/

L'articolo BLOOM proviene da Shank Instruments Milano: Chitarre, Bassi, Batterie.